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Identity Scandal
Rocks Goliard!
Open Report to the Patrons and Shareholders
First and most importantly,
we'd like to thank you for your continued readership and support. It
goes without saying that without your continued patronage and
generous donations, we'd be exactly as well off as we currently are.
For that we are eternally grateful and knowing that Goliard readers
are out there and in such great numbers will be invaluable as we are
persevering through the trying times and virtual housecleaning that
lie ahead.
Secondly, as any cuckold will
tell you, it's never easy to admit you've been duped from within
your own house, especially when the duping takes place in such a
public forum as the Goliard. Over 200 readers a day visit the site
and have come to trust it as a source of nonsense, garbage, vitriol,
personal attack, dog pictures, bias, journaling, film reviews,
original writing, nudity, pointless musings, culinary expertise,
plagiarism, photojournalism, and millennial guidance. Given that,
the following admissions are gut drenching and extremely painless to
make.
The following are the facts as
we know them so far. The first hint of impropriety
came when we received a call from the head of NASA who informed us
that it had just recently come to their attention that a rocket
scientist on their payroll was being misrepresented on the Goliard
and that her picture was being depicted as the sketchy, scantily
clad character known to readers as "the Bookwoman". ( We
realize that right here would be a good place to insert the pictures
in question of the former Bookwoman but we can’t without fear of
legal retribution. Provided instead, is a current shot of the
scientist in question which shows her
working at her real job and flashing all the skin that the real
person is willing
to reveal. The picture was taken by the same janitor
that alerted the NASA authorities of the malfeasance going on as restitution
to the Goliard when he realized the ramifications that his meddling
were having.)
NASA, a government agency, which
has seen it's own share of trying times in recent years, was
concerned that, while public perception that their ranks were filled
with bumbling, nerdy engineers, could use a makeover, casting the
image of one of their rising scientific stars as a struggling
topless dancer (no matter how literarily inclined she might be) was
not the way to go about it. Despite the fact that the engineer in
question evidently spends all her waking hours tucked in the
bowels of a lab in Houston working with strains of extraterrestrial
bacterium, (a fact that made it seem extremely unlikely that she
would interact with anyone who might also be reading the Goliard),
the governing powers of the space program issued a state of the
company statement stating that "given that the young woman in
question is a salaried employee of one of the largest space agencies
in the world, we do not feel that the her likeness should be
associated with a form of media such as the Goliard which clearly
plumbs the depths of decency on a issue by issue basis." The
agency went on to say that "if the Bookwoman does not cyberly
disappear immediately, the space program's legal team will
"engulf your little publication like the scalding fires of Io
would an encroaching flock of grackles." Since the legal team
at the Goliard consists of a person that has taken the LSAT, another
who thought about it, a retired MP from Nam, and a beleaguered and
overworked public defender currently on suspension for attempting to
bolster one of his cases by exhuming part of a corpse without proper
authority and who is contractually unable to provide legal advice to
private citizens anyway, we thought it best to comply. Then we
launched our own investigation.
Confusion set in initially of
course due to the fact that members of the Human Resources
Department and management team could have sworn that they had
attended parties where numerous staffers had not only claimed to
have met the pictured Bookwoman, but bragged about having socialized
with and even dated her. Stories of copy boys attending her shows
and being asked backstage, junior editors drinking beer with her at
roadhouses, the Movie Man giving her a gratuitous tennis lesson, and
countless other tales of trysts had abounded at staff gatherings for
years but all seemed to vaporize suddenly from the collective staff
consciousness as if they had never been told in the first place. All
interviewed denied ever seeing her in person or saying they’d seen
her in person and under the harsh lights of the interrogation room
it became quickly clear that as far as the support staff was
concerned, she didn’t seem to exist at all.
Didn't exist that is save in the
mind of the person who introduced her to the publication in the
first place. This same editor, we realized, had claimed to have interviewed her
recently, and had always been in charge of posting her monthly
diary. Once he was isolated from the others and after extensive
questioning, which lasted through one brief, but very restful night, he finally
broke down and admitted that the Bookwoman was
nothing but a montage of his ex-girlfriends created into one
Bookwoman using the trickery of Adobe Photoshop. (Not that it really
matters but he went on to explain that the body parts broke down as
follows: He used the feet of a ballet dancer he
had once had a brief fling with, the torso of the love of his life
who had broken his heart in high school, the neck of a cheerleader
he had been photostalking during his college days, and the hair of
one of his former babysitters.) Ironically what tripped him up was
not the wrath of one of the women he had exploited but someone
recognizing the one part of the Bookwoman that did not come from
someone he knew - the Face. Onto all the other limbs and trunks, he transposed
the face of the aforementioned young NASA scientist, which he had lifted out of
one of their online
recruiting brochures. He went to the NASA site, he confessed, because he wanted his dancer to “look smart.” Unfortunately for
him, the composite ended up looking enough like the NASA scientist
that the alert janitor and goliard reader noticed the similarity and
brought it to management's attention. And then the jig was up. Bloody,
broom pushing do
gooder!
We
thought we were done at that point and were trying to pack up our
gear and head to the pool but it seemed that once the staffer was
broken down, he wanted to keep squawking and couldn’t be stopped. Before we
could get him to cram a sock in it, he had informed us that not only
was the pictured Bookwoman not
the person whom had been writing the diary, but the person that
had been writing it was the person who's picture he had been using
in recent issues as art for the Ella Caliente feature! What?
Suddenly after waking up in the morning in a wonderful mood, we were
staring down the double barrel of not one but two scandalous
situations involving our publication.
Realizing that things were
beginning to spin around and down like turds in a toilet bowl, we
immediately decided that the girl formally known as Ella Caliente
but who apparently was actually the Bookwoman, better be brought into the
newsroom to explain herself and so that we might put a paw on her
thereby confirming that she
actually exists. We invited the disgraced staffer to produce her in
the flesh or be permanently banned from all Goliard functions. He
arranged to fly her in and we arranged for a
translator to be present since we had been led to believe that she
didn't speak much English. When she arrived however it became
abundantly clear that she actually spoke no Spanish! This Ella
Caliente, who was actually the Bookwoman, had not been careening and
carousing around Southern Arizona and reporting her antics in
Espanol in order to titillate our Spanish speaking readers but
instead had been living in La Jolla, reading and reviewing books, and writing
a screenplay in Inglais! A quick meeting was held where we contemplated giving the
whole kit and kaboodle the full flush before any of our sponsors got wind of
the stench and publicly humiliated us in some way but this gathering was cut short when it was pointed out that we didn't have
any sponsors in the first place. We then decided to put on our
rubber gloves and sink the plunger of investigation further into the whole mess.
What we've learned so far is
that the deceitful editor,
when we were first trying to get the whole Goliard thing off the
ground, had been corresponding with this particular young lady by
e-mail after meeting her in a literary chat room. In an attempt to
move himself up in the ranks of our fledgling enterprise, he
realized she was much more erudite and well read than he was and
somehow talked
her into submitting book reviews on a monthly basis. Sensing her
reluctance to be seen in person and since it had been his
experience that most people in chat rooms end up being heinously
ugly when you actually coax them out into the light, he mistakenly
assumed she was unattractive and decided that
he’d have a better chance of achieving critical acclaim if he
printed the Bookwoman’s words accompanied by another person's
more attractive picture. He was striving to provide a character
that would capture the eye's attention and then suck the reader in
with learned journaling. A laudable goal and one that we do not
fault him for. It was that thirst for plaudits however, that led to his misadventure in Photoshop.
Months later, well after the
Bookwoman had an established following, he had flown
out to meet the person, in person with which he had been exchanging
e-mails for all this time. He then realized as soon as he laid eyes on
her that she could have held her
own as a stripping Bookwoman (which shouldn't have surprised him
since that is, in fact, what she was).
Instead of beating himself up over the blunder however like the rest
of us might have, he figured that since it was too late to do
anything about it, he might as well grab a shit shovel and dig
himself in deeper. He then, together with the mischievous and
meddling assistance that will be shortly explained, hatched the idea for Ella Caliente and
began managing both columns under the noses of other staffers who
had no reason to suspect any tomfoolery. At this point in the
interview, we became suspicious
and
the brighter one of us leaned forward and asked the question that
had come racing to the front of our collective minds - “Who then is
speaking the Spanish?" There was an uncomfortable pause as we all
looked at each other and reached the same conclusion simultaneously.
Atwater! It had to be him. The frustrated Spanish scholar had
wormed his way into the folds of the Goliard in yet another capacity
and co-conspired to bring Ella Caliente to life. It was he who was behind
the young chica's words. We dispatched a team to bring him in
but he had not been located as of press time. Conveniently however,
a book review with his
fingerprints all over it was mailed that week to the
newsroom.
And
then things began to completely unravel. Suspicions and
finger pointing began running rampant, especially when
we went to check on the Aussie to see if he could shed any light on
the matter and to make sure he really was a real Aussie at all.
Sure enough, instead of the figure we had come to know as the Aussie, we found
some odd looking little cop doll with a cockney accent in the old Aussie's place on the shelf. As the
surrealness of the situation began seeping in, we were soon wondering if the Movie Man was a real
person even though we had met and talked with him several times
ourselves. Was anything as it seemed? Was the Movie Man and actual film critic or some montage of
folks whose reviews were affixed to some disembodied head in a plot
arranged by the same nefarious editor? How about Our Man in the
Field? The Snapper? Who is what and why is where? What is going on?
Whatever the case, it is clear
that, as managing editors in the East Cost office, we needed to
take a stand to restore the integrity before the whole enterprise
was left in reputational shambles. As a starting point, we decided
to embark on a thorough investigation to determine
whether the Goliard actually has an East Coast office. Once that is satisfactorily
concluded we intend to straighten some things out out West. You can take it from us that
if we determine that we actually exist, we on the right coast will be keeping a more suspicious eye on what the left coast
is up to. We
will let you know in this space what we find out and will make
public our full and complete report. We realize that we owe that
much to you, the faithful readers and innocent victims in all this,
and that it is of supreme importance to many of you that things are
exactly as they seem at all times. When a picture appears as a
character, next to a set of written observations no matter how
nonsensical and ridiculous they might be, then Goddammit,
we as the financial backers of this enterprise,
should try to take the trouble to validate that the person being depicted actually exists and
is doing the writing themselves. Or perhaps, at the very least, we should endeavor to make sure the picture is of a person somebody on the staff
actually knows personally or once knew. At the absolute minimum you'd think we'd want you to be confident
that what we are posting is the photo of a real person and not a cut and paste job
with the face of a person working in blissful unawareness in some
underground lab for an organization that could sue the collective
drawers off the lot of us. If things cannot be counted on to be what they seem
then by Gawd, we at least shouldn't have to worry about legal
ramifications. We'll figure all this out one way or another. And
when we do we'll tell you.
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